Are jack white and alison mosshart dating

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She takes a menthol drag and lets out a loud, phlegmy treble cough, a sound an acute Kills fan might recognize as an opening note of the tune “Cheap and Cheerful,” in which Mosshart begs: “I want you to be crazy ’cause you’re stupid, baby, when you’re sane.” To watch her perform it live, you’d think she was exorcizing some pretty hateful demons. They don’t care, they just read these magazines on the train. He left the motor running, and the generator died when the gas finally ran out. He’s not dead, because I keep hearing he’s stolen more buses. I also was told that he went on a three-day coke bender with a hooker—apparently that’s also his thing. If you weren’t playing music, what would you be doing? I’ve thought about this—I say write books, or draw pictures. BLASBERG: Just sell a bunch of jingles to a beer company.

Lately, she’s even gotten a second project started, coming together with musicians Jack White, Jack Lawrence, and Dean Fertita as the band the Dead Weather; they just recorded tracks, and their first album will be out later in the year. I met a lot of people on that circuit, sleeping on people’s floors. The bus was pitch-black and couldn’t be started—Lalo had to pack the bus up using a flashlight. BLASBERG: Stealing buses and doing coke with hookers? But there’s this side of me that truly loves and is obsessed with and addicted to performing. My parents are really proud of me and my brother, who’s a chef here in New York. I have responsibilities and ties to London that I’ll be dealing with probably forever.

As half of one of London’s most celebrated punk-rock alt bands (complete with fashion street cred and a supermodel groupie in the form of Hince’s lady friend), Mosshart has her hardcore stage persona down. Sometimes we sit together and jam things out—but we’re both equally controlling and equally secretive. The music enters this public realm, whereas before it was private. You don’t even know how you’re going to react to playing it. BLASBERG: So you never thought your song “Sour Cherry” would become a promo? It’s a totally different group of people who read tabloid magazines compared to hardcore music fans and people who go to gigs. Three tons of black metal vanished into thin air, with all of our things in it. Well, the manhunt was called off when the bus—but not the driver—was found behind a Best Western in L. by our friend Lalo Medina, who kept me abreast, minute by minute, like an episode of , as 10 armed policemen and a helicopter arrived on the scene and entered the bus. MOSSHART: Lalo, the coolest dude alive, very nicely packed it up and sent it to us.

For this interview at The Mercer hotel in New York last December, she arrives with bangs covering her face and a cigarette hanging from her lips. So we’ll work separately, even in the same room, where we can see but not hear each other. [Tabloid readers] work in offices or something and probably don’t have a real connection to the arts. MOSSHART: We get along great, despite people making up stories that we don’t. BLASBERG: So she’s not some skank who stole your style? The weird part was that all of the driver’s things were on the bus, too—his jacket still on the back of the seat and the keys still in the ignition. BLASBERG: You’ve obviously reached them, because I’m here! It would be nice if we were though, just for a minute, so we could pay off this house and be free. We just did this collaboration with Yves Saint Laurent, for a fragrance.

When a woman (who may or may not be his mother, according to the song) demands something of him on Elephant's "The Air Near My Fingers," White retorts back, "I never said I wanted to be a man." On "There's No Home for You Here," he sings, "It's hard to look you in the face when we are talking / so it helps to have a mirror in the room." Presumably, the mirror's needed so he can focus back on who really has the power.

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We can see this pattern emerging in Stripes lyrics early on.

Either way, what it reveals is fascinating—though not pretty.

In one of his first ever on-the-record comments about gender, White told Josh Eells in the New York Times magazine recently that he doesn't want to define roles for the women he knows: "I've always felt it's ridiculous to say, of any of the females in my life: You're my friend, you're my wife, you're my girlfriend, you're my co-worker.

Not that Mosshart is planning a break from The Kills. That’s when we toured England and I met Jamie [Hince]. Once I stayed in Jamie’s apartment—it was kind of this squat with two levels. It’s hard for me, because when I don’t play for a while, I crave it. I don’t see my parents often, but they’re very supportive, especially as I get older. BLASBERG: Do they want you to move back to America?

The duo is putting out its latest ep, , this month, and will continue on a hectic touring schedule that includes a pit stop at Coachella. BLASBERG: Still, that’s good for a bunch of sixth-graders. Downstairs were my friends Ben Corrigan, who drove our tour bus at the time and who is now a photographer, and Sean Forbes, who works in a record store. I was really nervous around him—I don’t think I spoke in a year of knowing him.

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